Making an Archtop Guitar (by Robert Benedetto
)
The definitive work on the design and construction of an acoustic
archtop guitar by one of the most talented luthiers of the twentieth
century. Benedetto walks the reader through all aspects of construction
through to marketing your finished work. Includes a list of suppliers
to acquire all the tools and materials listed; a list of serial
numbers for Benedetto guitars; full-color plates featuring the
author's models; photos from the author's personal
scrapbook of players who endorse his guitars; and fold-out templates
for construction. 8-1/2 inch. x 11 inch.
Making Master Guitars (by Roy Courtnall)
(Reviewer)- Great book that has measured drawings of many master
guitars. Unlike steel string guitars, where a few models dominate,
and look different, say Gibson vs. dreadnaught martin, classical
guitars look externally quite similar, while varying a lot internally,
and otherwise. Many of the great artists of the steel string guitar
play factory models, for a variety of reasons. Top classical guitarists
largely play models that originated in small shops with one or
a few craftsmen. For these reasons anyone who wants to make a study
of building classical guitars will find this eclectic group of
guitars very important.
However, one should consider:
The building instructions are 1) European in orientation, few
jigs, open assembly and so forth, actually the best place for any
guitarmaker to start, but not how most here do; 2) Weak in places,
because the writer is not an expert guitar builder himself, though
overall very helpful, and a useful reference.
The flip side of a great book on classic designs is that it isn't
a good book on current designs. Guitar making theory has advanced
somewhat (though one doubts the new instruments are better, they
are nonetheless preferred by many anyway). Tone vs. durability
or volume for instance. There has been a huge amount of new detail
added to modern classicals, for instance work on intonation, volume,
wolf notes, fingerboard playability, longevity, and so forth. this
stuff isn't here, but on the other hand, it's plastered over the
internet.
If you have seen the violin book, this one isn't the same. The
violin book was partnered with a greatish builder. Deals a lot
with modern practice (though being violins, that isn't that different
anyway), and the violin book doesn't have lots of useful measured
drawings (any in fact), because you can get patterns of the ouline
parts for strads etc.
The Art and Craft of Making Classical Guitars
(by Manuel Rodriguez)
Rich in beauty, sound and history, Manuel Rodriguez and Sons'
classical and flamenco guitars have been lovingly hand-crafted
in Madrid since 1905. The company's remarkable creations are just
as acclaimed today, capturing the 2000 Player's Choice Award from
Acoustic Guitar magazine for its nylon-string model.New from Hal
Leonard and for the first time available in English, The Art and
Craft of Making Classical Guitars presents master luthier Manuel
Rodriguez's thoughts on the history of the instrument he loves,
and how the guitar attained its prominent position among musical
instruments. Filled with fabulous historical photos, priceless
memorabilia, abundant diagrams and more, the book covers topics
such as the art and development of the guitar, materials used in
construction, and much more. Essential for all admirers of the
guitar.
Constructing a Solid Body Guitar: A Complete Technical
Guide (by Roger Siminoff)
Whether you're a musician or a woodworking enthusiast,
you'll thoroughly enjoy Roger Siminoff's book, Constructing
A Solid Body Guitar. This 64-page manual uses over 150 photos,
several illustrations and four life-size blueprints to assist the
reader in choosing the proper materials and tools, as well as using
the correct skills and techniques to produce a beautiful handmade
instrment that doesn't look handmade at all! Plastic-comb
bound. 9 inch. x 12 inch.
Make Your Own Electric Guitar (by Melvyn Hiscock,
Brian May)
The electric guitar is the musical instrument of the last 30 years.
In that time, names like Fender and Gibson have acquired an aura--and
a price--that are truly remarkable. For some, however, it is not
enough to buy a guitar--the challenge of designing and hand-making
a unique, customized instrument is the dream. Since 1986, these
people have turned to one book: Make Your Own Electric Guitar.
Written in a clear, relaxed style, it covers every facet of guitar
design and construction, as well as electronic theory and practice,
and full woodworking and wiring techniques--all supported with
plenty of photos and diagrams. Now in a revised and expanded edition,
Make Your Own Electric Guitar will enable any musician or enthusiast
with basic woodworking skills to create a uniquely valuable instrument.
Building Electric Guitars: How to Make Solid-Body,
Hollow-Body and Semi-Acoustic Electric Guitars and Bass Guitars
(by Martin Koch)
Everything from the first steps of design to the final set-up
of of solid-body, hollow-body and semi-acoustic electric guitars
is covered step by step in this book. It contains a section about
winding your own pickups and another on active guitar electronics.
The last chapter is about visits to Steve Jarman Guitars (UK),
Sadowsky Guitars (US) and PRS-Guitars (US)
Guitar Electronics for Musicians (Guitar Reference)
(by Donald Brosnac)
Guitar Player Repair Guide: How to Set-Up, Maintain,
and Repair Electrics and Acoustics (by Dan Erlewine)
Whether you simply want to maintain your guitar
or hot-rod it into a radical new incarnation, this book is the
ideal guide. By
the columnist of Guitar PlayerÕs popular Repairs & Modifications
column, this comprehensive book is a must for any guitarist who
needs information on beginning repairs through advance enhancements.
8-1/2 inch. x 11 inch.
Electric Guitar Construction (by Tom Hirst)
What on earth would make someone want to build an electric guitar
from scratch? Can't you just buy one cheaper? A.: Well sure, but
with this definitive book on the subject as your guide, you can
create your own axe masterpiece, with the precise finish, the exact
pickups, and the custom hardware you've always wanted. Plus, you'll
have the indescribable satisfaction of knowing you created something
cool out of nothing. And that sure beats buying off the rack! Organized
logically from start to finish, this helpful guide will assist
you every step of the way; from the design and planning stage to
the final setup, each step in the process is written about in abundant
detail, with hundreds of photographs, and special full-color sections
on wood selection and finishing. Also includes a glossary of terms,
an index of materials suppliers, and much more!
The Art of the Native American Flute (by R. Carlos
Nakai, James Demars, David P. McAllester, Ken Light)
(Reviewer)- With The Art Of The Native American
Flute, Carlos Nakai draws upon his many years as an educator,
performer, and
student of the
Native American flute to present the reader with a comprehensive
and "user friendly" instruction manual for learning
to play this core Native American musical instrument. Part one
includes discussions on tunings, fingerings, performance technique,
tablature, style, history, standard notation, traditional ornaments,
and a section on the care and maintenance of the flute. Part
Two includes sixteen transcriptions of songs from Naki's recordings.
Part Three is an informative analysis of Naki's role in Native
American culture as a recording artist and performer by the ethnomusicologist
David P. McAllester. The Art Of The Native American Flute is
a very highly recommended performance guide and insightful source
on the Native American flute, as well as a concise review of
the career and artistry of one of the most important ethnic artists
in America today.
How to Make Drums, Tom-Toms and Rattles (by Bernard
Mason)
(Reviewer)- This is a reprint of Mason's classic 1938 edition.
It is fascinating, even though Mason uses some slightly racist-sounding
phrases, it
is obvious that he repects (respected) Amerindian culture. He has
a great feel for their spirituality. And personal experience with
our First Peoples. It's a little corny and naive other parts.
Mason's book has many drawings of original drums and their designs.
He gives detailed practical instructions on how to build drums,
hand-frame drums and a pow-wow drum, from processing a raw animal
hide to bending wooden slats into a hoops, stretching and drying
the drum head, painting and adding adornments. He left me with
the impression that it is nearly impossible to build dud!
The book
is a classic on woods craft type drum building. It also provides
an intimate glimpse into the recent past before thoughts and words
were filtered through a politcally correct seive.
Musical Instruments page
1, 2
Book
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